Wisst ihr wie das wird?(1): The Album-Sonate for Mathilde Wesendonck as Prototype for Richard Wagner’s Unrealized Symphonies
“Don’t look for too many unmentionable motivations in the Album Sonata. I promised it to a young woman who was very kind to me, in return for a beautiful sofa cushion that she gave me as a present.”
So wrote Richard Wagner, nearly twenty-five years after he composed the work in question (2). The little mention which the composer made to this sonata is exclusively dedicated to downplaying its significance; Wagner knew he would be remembered as a composer of dramatic works, not of ‘absolute’ instrumental ones. Aside from Wagner’s relationship with the work’s dedicatee, does this sonata, all but ignored in Wagner studies, offer any insight into a composer for whom so much insight has already been offered up?
Feburary: New publications courtesy of LACG Editions:
Mozart (Adagio for Glass Harmonica)
J.S. Bach (Prelude no. 24 from Book 2 of The Well-Tempered Clavier)